Friday, February 20, 2015

Artists, teachers, writers, scientists, all of us who crawl in the dirt,
we must form militant unions and assert the power
of our labor. Who the fuck knows what kind of sunrise
awaits the fantasized nostalgia for a bourgeois security
that never was. Who the fuck really ought to fuck off
when we are proletarianized, telling us that we are but
the vampiric bourgeoisie, stealing from workers their
very resistance to us. True, the bourgeoisie wants
everything everyone else has. But our responsibility is
not to not want everything not not, but not annihilate
the stomach rummaged in alien corncakes not not
it is our responsibility to use our privilege even
in our despair, born there to fair life give me your hand
and let's destroy our enemies and love each other and
have everything by rigorous life struggling blessed future.

JOSH STANLEY | FROM A STORY | DEFECTOR (CAMBRIDGE 2014)



Monday, December 01, 2014

Monday, October 20, 2014

KADAR KOLI (BUFFALO) GAFF (GLOUCESTER) NO INFINITE (BOSTON)

Mentioning here THREE relatively recent print poetry journals I had the honor of contributing to earlier this year, one from Buffalo, two from New England, all deserving much further attention: 1) NO INFINITE; 2) GAFF; 3) KADAR KOLI.

1. NO INFINITE (No. 2): Boston. Ed. Mitch Manning. Contributors: Sophia Le Fraga, Jared Stanley, Richard Owens, Derek JG Williams, Rene Char trans. Teresa McMahon, Mark Pawlak, Semezdin Mehmedinović trans. Ammiel Alcalay, Patrick Williams, Kev Bewersdorf, Jill McDonough, David Rich, Mel Bentley, Ed Steck, Audrey Mardavich, Keith Jones, Joshua Gottlieb-Miller, Tyler Gobble, Andrew K. Peterson, Jim Dunn, David Grundy, Zach Collins, Inga Eičaitė.

No. 2 includes an astonishing 10-page spread of visual work from London-based artist Inga Eičaitė.

2. GAFF (No. 1): Gloucester. Ed. David Rich. Privately circulated. Contributors: Sean Bonney, Audrey Mardavich, Jose-Luis Moctezuma, Ian Heames and Jonty Tiplady, Lisa Rich, David Hadbawnik, Boyd Nielson, Mitch Manning, Frances Kruk, David Grundy, Richard Owens, Michael Peters.
The opening epigraph to Gaff, drawn from Clarence Manning Falt's Wharf and Fleet (1802), reads: "When the trips are being taken out, often many fish slip from the pitchforks and sink to the docks. A class of young men and boys then row around in little boats, called punts, and gaff up the fish beneath the wharves and sell them. It is an illegal business, and if caught, they are subjected to a fine and imprisonment. It is operated at low tide."  
3. KADAR KOLI (No. 9): Buffalo. Ed. David Hadbawnik. Contributors: John Hyland, Arielle Guy, Gerrit Lansing, Susan Briante, Michael Sikkema, Michael Kelleher, Aaron Tucker, Emily Anderson, David Rich, Jen Tynes, Gillian Hamel, Chris Piuma, Pattie McCarthy, Kevin Varrone, Robin Brox, Richard Owens, Boyd Nielson, Zach Finch, Dale Smith, Morani Kornberg-Weiss, Roger Snell, and a special feature on the archive including an interview with Ammiel Alcalay and an essay by Megan Cook. 
Commenting on the archive in his editorial introduction to the journal, Hadbawnik outlines what he believes to be two foundational rules of archival research: 1) "Don't trust an edition when it claims to capture the 'original' of something"; 2) "Don't trust anyone or anything, even when you think you're holding the 'original' in your hands." 
Chaucer scholar Megan Cook adds in her essay on the archive, "Pedant Love," "Over the years, I have spent a lot of time waiting in and around rare book repositories, enough time to decide that waiting is indeed the distinguishing feature of the archival habitus."    
                                                                                                                                  FRANCES KRUK (from GAFF):

          COME HERE TO UNLEARN WHAT 
          I CANNOT DISBELIEVE 
          NO DARKNESS BLACKER THAN BRIGHT LIGHT 
          NO BLACKER LIGHT 
          NO BLACKER LIGHT 

Also recent and astounding: TRIPWIRE (No. 7): Oakland. Ed. David Buuck. Contributors: Jen Coleman, Leslie Kaplan (trans. Julie Carr & Jennifer Pap), Rodrigo Toscano, Jeroen Mettes (trans. Vincent W.J. van Gerven Oei & introduced by Samuel Vriezen), Lesego Rampolokeng, Heather Fuller, Nathan Cordero, Donato Mancini, Trish Salah, Arnold Joseph Kemp, Hsia Yü (trans. Steve Bradbury), Carlos Soto-Román, Tonya Foster, Rachel Zolf, Eric Sneathen on Dodie Bellamy, Julia Bloch on Divya Victor, Robin Tremblay-McGaw on Harryette Mullen, Nicky Tiso on David Wolach, plus a special feature on British poetry, featuring Nat Raha, Sean Bonney, Connie Scozzaro, Francesca Lisette, Emily Critchley, Verity Spott, William Rowe, Jennifer Cooke, Robert Kiely on Samantha Walton, and Colleen Herd & Pocahontas Mildew.

Tuesday, September 16, 2014

PERCEPTUAL FAILURES AND RECKLESS CUTTING

Tuesday, September 09, 2014

RAVAGED WONDERFUL EARTH

From Ravaged Wonderful Earth | David Kessel standing center (photo: Natalie Fonnesu)

Mentioning this somewhat belatedly, but one of the several meaningful endeavors I enjoyed the honor of contributing to last year was Ravaged Wonderful Earth: A Collection for David Kessel (Outsider Poets in collaboration with FEEL 2013). Celebrating the life and work of Tower Hamlets poet, socialist and mental health activist David Kessel, the festschrift includes poems and commentary from Nick Waller, Christina Viti, Stephen Watts, Sarah Barratt, Chris Gutkind, Frank Bangay, Howard Mingham, David Amery, Tim Pearson, Myra Garratt, Natalie Fonnesu, Shamim Azad, Mike Parsons, Spider Evans, Adjowa Rhonda Abraham, John Clarke, Peter Barham, Alan Morrison, and John Zammit. The collection also offers a generous selection of Kessel's poems, including a poem rendered in German by Dieter Reger. David Amery, from his comment on Kessel:
Reading poetry such as David's doesn't simply open a window onto someone else's subjectivity, it also expands our own. The danger is that we shrink back into our own isolated subjectivities ...  
Ordering information for the collection seems unavailable, though an active email address for FEEL can be found HERE.  

Monday, September 08, 2014

NIGHT LIGHTS

From "Night Light," Danny Hayward (Hi Zero 27):

There is a great deal of pressure to be blasé
nihilistic, ironic, unconcerned,
     to be stupid, iconoclastic,
     to outface false desire
by preemptively owning it fully.
Can I yet believe you are better than that 

The following posted 5 September 2014 at Sad Press:

Hix Eros #4 is out! This one’s a bit different, all about J.H. Prynne. It collects essays by Michael Tencer, Justin Katko, Lisa Jeschke, Timothy Thornton, Joe Luna, John Wilkinson, Abigail Lang, Keston Sutherland & Robin Purves, with an introduction by Keston Sutherland. 
The collection is available as a free PDF. There will soon be a limited print edition too. If you are connected with a university, we’d really appreciate you ordering one for your library (Hix Eros #4, ISSN 2056-8908, price TBA shortly). 
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Those of you with Kindles (or the Kindle app) can also already buy Hix Eros #5, filled with reviews — written by Brandon Brown, Jennifer Cooke, Stephen Emmerson, William Garvin, David Grundy, Iain Morrison, Michael Tencer, Greg Thomas and Karen Veitch — of poetry by Connie Scozzaro, Dodie Bellamy, Richard Barrett, J.H. Prynne, Laura Elrick, Amy Todman, J.L. Williams and Nat Raha, and of Ian Heames’ little magazine No Prizes and Caroline Bergvall, Laynie Browne, Teresa Carmody, and Vanessa Place’s anthology I’ll Drown My Book: Conceptual Writing by Women. It usually costs 79p. A free PDF version will also be available, probably around the middle of this month.

Thursday, August 14, 2014

FERGUSON MISSOURI


We know that we live in a world inhuman in its poverty. We know that we are a colony, living under community imperialism. The U.S. that we see is not one of freedom, beauty, and wisdom, but of fear, terror, and hate. This is a nation of your laws, run by your police, and based on protecting your economic strength. 

                                     ——Afeni Shakur | Letter from Prison (Rat, 7-20 January 1970)


The politics in our communities are controlled from outside, the economics of our communities are controlled from outside, and we ourselves are controlled by the racist police who come into our communities from outside and occupy them, patrolling, terrorizing, and brutalizing our people like a foreign army in a conquered land. 

                                      ——Black Panther Leaflet (Brooklyn, c. 1969) 
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